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To download the files simply click on the link, unzip and drag them to the correct To Open the Templates in Logic Pro X – You can open the templates by. Download Lists. Ultimate List of free templates for logic Pro X Mixing & Mastering (by Why Logic Pro Rules); Vocals mastering (by Marc Mozart).

Logic Pro X: Audio and Music Production – PDF Drive


These two controls affect how much compression is applied, for how long, and greatly contribute to the sonic quality of the compression. Sometimes labelled make up gain, this control is used to match the compressed and uncompressed signal levels.

Because compressors often make things sound louder, it can be difficult to compare and accurately gauge the effect of a compressor when switching between the affected and unaffected signal.

Because the human ear naturally favours louder signals , the louder, compressed track often sounds better by comparison. Use the make up control to ensure the levels are consistent so you can judge the effect of compression more accurately.

Compression is best used to control overly dynamic instruments, for example, an inconsistent vocal recording. Use the loop control in Logic to select a section of vocals, and open up the compressor plugin. Start with a modest ratio of is generally seen as the middle ground in compression ratios. Roll back the threshold control until the compressor starts engaging when the loud vocals kick in.

The goal here is to allow the compressor to kick into gear only when the vocals get too loud, not at all times. That said, you may want to apply a little compression to the vocal tracks e.

If the compressor is acting on vocal transients too slowly, make the attack quicker. Experiment with different attack, release, threshold, and ratio settings until you find the perfect setting. Logic, being Logic, has tonnes of built in effects that you can use to spice up your tracks, add some depth and interest, and make your productions sound just like the pros do. Imagine a ball of blue light directly in front of you. The horizontal field left to right , is controlled by pan.

Whereas the vertical up and down , represents frequency, which is dependent on the type of instrument bass guitar vs violin for example , as well as any equalization applied. The volume or level controlled by the fader as well as compression , is represented by the light becoming brighter or duller.

This is controlled using reverb. By using all four fields or spectrums stereo, dynamic, frequency and depth , you can give each instrument its own space in a mix, meaning every track can be heard clearly. Before the world of plugins, and even before outboard hardware effects, reverb was literally created in a physical space. For example, if you wanted a big chamber sound on a choir, you had to record the choir in a big chamber!

Obviously this is incredibly inconvenient, so sound engineers quickly figured out how to emulate this effect using springs and plates. Predelay The predelay parameters control the amount of time in milliseconds between the dry signal and the first reflection. Reflectivity Have you noticed how some rooms are more reflective or noisy than others?

Think of the difference in reflectiveness between an empty hall, and your living room with carpet, sofa and thick curtains. The higher it is set, the longer the reverb effect will last for.

Higher settings are great for creative effects, though if you are trying to create a small amount of space on a vocal or lead instrument, try rolling this back a bit. Turn Wet all the way up and Dry all the way down, and you will only hear the affected signal. Experiment with the two controls to find the perfect balance for your application. Typically, bass instruments are left out of the reverb game. This is because tracks tend to get muddy when reverb is applied on the low end.

Have a play if you like, but make sure you are paying attention to the clarity in the low end when using reverb on kick drums or bass. To help bring the kit together nicely, try sending some of the other drums to the same reverb, such as the toms.

One of the most widely used effects amongst guitarists, delay is an effect often employed by sound engineers to create depth and interest in a mix.

The difference between delay and reverb is that delay is not space focused it is not emulating a physical space , it is a time based effect that makes use of a repeat as opposed to a reflection. It might help to imagine delay as the reflection from a single surface. Delay Time As delay is a more musical effect than reverb, its time factors are often represented by note lengths i. This is a cool way to produce an interesting ping-pong type effect in a mix.

Alternatively, you can set the left and right signals to the same delay time for a more traditional delay effect. Feedback The feedback parameter essentially controls how many repeats you will hear, and therefore how long the delay effect continues for. When this is set to 0, you will hear only one repeat. As you turn up the feedback, more and more of the affected signal is fed back into the delay effect. For example, you may have several vocal tracks for which you wish to use just one reverb type.

If your head is spinning trying to understand the difference between sends, busses, and aux tracks, try thinking of it like this.

The bus is a path that picks up all the passengers tracks , and takes them to the next location. The output of the bus where everyone gets off is the aux track.

Whatever effect is applied to the aux track, is applied to all of the tracks that got on the bus. When using a send, it is only a clone or copy of the audio signal that gets sent down the bus. This is important to know as you may not want to apply the same level of effect to every track. For example you may wish to send more of the backing vocals than the lead vocals, to give them more depth and sit them behind the lead vocal. This is a great technique for mixing as it allows you to control the individual effect levels via the send levels, and also the overall effect level via the output fader on the aux track.

It is also much friendlier to your CPU, as it employs only one instance of an effect rather than several, making your sessions run faster! A common example of this is the drum bus. Rather than using the Send function, this time we are going to change Output of the drum tracks. Whereas using a Send puts a clone on the bus, changing the Output puts the track itself on the bus. You can now apply effects to the entire drum kit together!

Loud sources always sound better, with more dynamics, impact and punchiness. So, mixing at loud volumes often results in mixes that lack depth and impact when listened to one other systems.

The opposite is also true for mixing at too low volumes, though this is a less common issue we all love turning it up! Loud sounds are also fatiguing on the ear, which means what you actually hear changes as you mix. This happens more rapidly when mixing loud, and often means that after a couple of hours you start making decisions that are based on fatigued ears.

Production covers everything from catchy loops and midi files to sick sylenth presets! Highly recommend them! Production has some great libraries! We use many W. They are one of the best companies on the market. Really helpful for sparking inspiration or adding variety to your music!

Production have been used in most of our top tracks! I recommend them to all upcoming producers”. Also the Sylenth1 and Spire Sound Libraries are so fresh! Great job guys! All of the samples are of high quality and are completely current into today’s “EDM” market.

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You may only use this for a non profit media background. This here is out Commercial License. You are able to use this particular license in you app, video and or compilations. This here is our Full License. This particular license is sold only once to a single user or a single company. Resell the rights to the master, renaming the master, releasing on a record label under your name, distribute or resell the project files and or register the copyrights under yourself or a company. We have a new and amazing rewards system!

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Feb 27,  · Divine Mixing – Template One (Update) Divine Mixing – Template One has been updated to support the latest plugins in Logic Pro X If you are en existing owner, login to your Account page to download the update.. Logic Pro X introduced the highly awaited Vintage EQ Collection and Chromaverb plugins. Template One has been completely revamped, replacing all . Jun 20,  · Pro Tips For Mixing In Logic Pro X (+ Mistakes To Avoid) Stop Mixing At High Volumes. One of the most common mistakes made when mixing is setting your output volume too loud. It can be tempting to turn up those speakers and hear your mix pump, but here’s the thing. Loud sources always sound better, with more dynamics, impact and ted Reading Time: 6 mins. Free Electro House Template. Free Template from C.J. Stone. MIXING & MASTERING TEMPLATES. Introduction guide for Logic Pro X as well as 2 templates. One for mixing and one for mastering. For more information and to download click HERE. PRESETS. Free presets from Jake Masca. 20 Free Guitar Presets. Free Drake Vocal Presets. Free Deep Space.